Cartier-Bresson explained his technique for shooting photographs. “I don’t think of photography,” he said. “I think of what I see and geometry: that means everything has to be composed properly. That’s because I started with drawing … I never quit drawing; a camera is a way of drawing.”
Rose asked how he knew when to snap. “When the subject takes me,” replied Cartier-Bresson. “I’m receptive and I shoot. It’s just to concentrate, concentrate. Inner silence. And you mustn’t want, you must be receptive. Don’t think even. The brain’s a bit dangerous. Sensitivity, the flavor, the upp.”
The interview is preceded by a short interview with photographer Richard Avedon, who calls Cartier-Bresson the greatest photographer of the 20th century.
To learn more about Henri Cartier-Bresson, read his profile on findingDulcinea.
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